![]() ![]() Make any corrections you need via the Lumetri effect on your clip (the first one we added, or by adding other correction effects (curves, etc) AFTER the "Lumetri Color" effect. VisionColor sells some nice ones, otherwise, a good starting place is HOOK BM4KFILM2VID from Put an adjustment layer over your footage, add a "Lumetri Color" effect, and select a "look" or film emulation LUT that you like. In the "basic correction" section, select Studd's G7 LUT from the "input LUT" dropdown > browse > downloads. Put the "Lumetri Color" effect on your clip. In Premiere, the simple way is the LUMETRI effect. It's often treated like a preset to quickly take footage that looks one way, and make it look a different, more useful way. So a LUT is a list of instructions for your coloring software: "take this color, make it into this color". Australian cinematographer/director Paul Leeming has issued the version 502 update to his unified corrective LUT (Look Up Table) system Leeming LUT One for the Panasonic Lumix GH5 and its three major video picture profiles, HLG, V-Log L and Cinelike D. The Canon m200 is on the opposite end of the spectrum, while it’s easy to use, canon limited their M line of cameras drastically so they wouldn’t compete with their mid range DSLMs. Did not have my light meter so it ended up a bit brighter than I wanted. Sonys menus are very unintuitive and hard to navigate, even for experienced shooters. Had one tungsten light pointed at the ceiling and that was the only lighting aside from the other lamps and stuff in the room. I shot this over the weekend, and I did it by myself quick and dirty. Here are some sample pictures of what it can do. All tests we have done were with CineD all stock settings, also known as everything set to the middle. I would like for you guys to utilize this thing and report back your findings. There is still more testing to do, but there is only so much time/amount of footage we can collect on our own. Right now we are releasing the BETA of this LUT. One LUT we typically use is from Captain Hook and more recently we have started playing with some of the LUTs from ImpulZ and getting some nice stuff. This is meant as an input LUT so it should be toward the beginning of your stack/tree. ![]() So this is a LUT that is meant to bring the colors of a G7 to more closely match the BM4k. We have been using it in combination with other LUTs that have been designed for the black magic and been getting pretty good results. When trying to cut back and forth between the G7 and the BM4k was kind of obnoxious and obvious and a pain to match. ![]() When trying to cut back and forth between the G7 and the BM4k was kind of obnoxious and obvious and a pain to match. We have experience with a Black Magic 4k Production Camera that we typically shoot a lot of our work on, but sometimes we need a second camera so that is where the G7 comes into play. So as some of you know /u/PastramiSwissRye and I have been developing a LUT to fix the colors of the g7 because frankly they don't look very good. ![]()
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